Ulay. Unique collection of ephemera and small editions

(1) Invitation card Ulay, Renais-sense Polaroid Slide Picture Show, Seriaal gallery Amsterdam, 14 Sept. - 10 Oct. 1974. (2) Postcard 'Ulay 1943-1974. Mein Abschied als einzige Person', dated Dec. 25 1974, 10 x 15 cm. Seminal work in which Ulay announced his departure as a separate person (and start a new identity together with Marina Abramovic). Mint copy in signed envelope.

(3) Ulay, Phase White Echo T.B. Sheets. Beuningen, Brummense Uitgeverij Van Luxe Werkjes, 1975. Multiple, consisting of 6 postcards, 10.5 x 15 cm, featuring reproductions of polaroids from Ulay's 1975 performance 'namen, uiterlijkheden, personenruil' (names, appearances, person swap). In original publisher's envelope. (4-5) Two mailed envelopes sent from Sardinia in 1975, part of a postal project Phase Weisser Echo/Rennais Sense. Features assembled items, including an original polaroid (with a mostly white image), a signed magazine clipping, and a photocopied mailing list. (6) Folded A4 flyer announcing Ulay's performance Fototot at Galerie Beyer, Wuppertal, 5 March 1976. (7) Handwritten invitation by Ulay to visit Fototot 2, 8 Sept. 1976 (in De Appel Amsterdam). In original mailed envelope. (8) Eight paperclipped sheets, with introductory letter by Ulay on Media Art Team paper, Berlin, Dec. 1976. Features information about Ulay's radical performance in Berlin on Dec. 12 1976, in which the artist removed Hitler’s favourite painting from Berlin’s New National Museum and installed it in the home of a Turkish immigrant family. (total 8)